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              <name>Title</name>
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                  <text>Sacred</text>
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                  <text>domestic and public sacred spaces and piety of traditional Roman religion, Christians, and Jews</text>
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                  <text>Joel G. Cerimele</text>
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                <text>Staircase Martyrium in Ss. Giovanni e Paolo, Caelian Hill, Rome</text>
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                <text>This image is the front-facing view of the martyrium built in the late 4th century by Pammachius and Paulina at the top of a renovated landing of their house on the Caelian Hill, meant for their private devotion. The house later converted into Ss. Giovanni e Paolo Church. While it is uncertain to whom the reliquary was dedicated, Ana Munk supports the theory, based on the martyrdom scenes associated with it, the shrine was dedicated to Ss. Crispo, Crispiano, and Benedetta (right). This shrine best exemplifies the continuation of domestic devotion among late antique Christians, such as among this wealthy Roman, senatorial family.&#13;
&#13;
Given that Pammachius died before the Sack of Rome in 410, the shrine was probably constructed between 385, when Pammachius married Paulina, and his death in 410.</text>
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                <text>Ana Munk</text>
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                <text>Ana Munk. "Domestic Piety in Fourth Century Rome: A Relic Shrine Beneath the Church of Ss. Giovanni e Paolo." &lt;em&gt;Hortus Artium Medievalium&lt;/em&gt; 15, no. 1. 2009.</text>
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                <text>2009</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Photo Taken by Ana Munk; permission granted</text>
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                  <text>Sacred</text>
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                  <text>domestic and public sacred spaces and piety of traditional Roman religion, Christians, and Jews</text>
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                  <text>Joel G. Cerimele</text>
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                <text>Dance of the Four Seasons Mosaic, Ss. Giovanni e Paolo, Caelian Hill, Rome</text>
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                <text>Created in the late 3rd century, after the consolidation of this domus but before the arrival of the pious senator Pammachius and his wife, this mosaic, in the "Room of the Nude Genii," depicts the dance of the Four Seasons personified, surrounded by putti serenely gathering a harvest of grapes. This image, among others in this house on the Caelian Hill, best exemplifies how traditional, aristocratic Roman ideology, steeped in the benign concept of the agricultural wealth of nature, could be retained by early Christians. The need for this kind of shared Roman heritage was especially true, given the role of the aristocratic house as the presentation of their "public" Roman persona. Placed alongside the private devotional cult in the stairwell, Roman imagery such as this renders more multilayered the overall worldview of Roman Christians.</text>
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                <text>Ana Munk</text>
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                <text>Ana Munk. "Domestic Piety in Fourth Century Rome: A Relic Shrine Beneath the Church of Ss. Giovanni e Paolo." &lt;em&gt;Hortus Artium Medievalium&lt;/em&gt; 15, no. 1. 2009.</text>
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                <text>2009</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Photo taken by Ana Munk; non-commercial use permission granted</text>
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                  <text>domestic and public sacred spaces and piety of traditional Roman religion, Christians, and Jews</text>
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                  <text>Joel G. Cerimele</text>
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                <text>Mosaic Depicting Paulina and possibly Rufina, her younger sister</text>
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            <description>An account of the resource</description>
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                <text>Paulina, as matriarch of the household and probably motivator behind the construction of this private space, beckons the observer to worship with her outstretched arm. This image was located in the lower register of the right side of the shrine and underscores the intimate nature of household piety. A confidant of St Jerome, Paulina was part of a family of holy women, including her two sisters Blessila and Eustochium and her mother. Interestingly, Rufina, depicted here, was not listed by Jerome as saints.</text>
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                <text>2009</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="618">
                <text>Photo taken by Ana Munk; permission granted for non-commercial, educational use</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Ana Munk</text>
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                <text>Ana Munk. "Domestic Piety in Fourth Century Rome: A Relic Shrine Beneath the Church of Ss. Giovanni e Paolo." &lt;em&gt;Hortus Artium Medievalium&lt;/em&gt; 15, no. 1. 2009.</text>
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                  <text>Sacred</text>
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                  <text>domestic and public sacred spaces and piety of traditional Roman religion, Christians, and Jews</text>
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                  <text>Joel G. Cerimele</text>
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                <text>Apis Bull Mosaic, Ss. Giovanni e Paolo, Caelian Hill, Rome</text>
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                <text>Like the Mosaic of the Four Seasons, this mosaic depicting most likely the popular cult of the Romanized Apis Bull was not whitewashed when Pammachius' family gained the household. Quite popular in the 4th century, and part of Rome's many acceptable cults, Munk plausibly suggests the senator left the image up as a concession to his pagan uncle Lampadius. As a venerable cult image, the Apis Bull underscores, more than the image of the Four Seasons even, the complexities of private devotion in late antique Rome. Apparently a devoutly Christian aristocratic couple felt comfortable with this concession in their own home.</text>
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                <text>Ana Munk</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="622">
                <text>Ana Munk. "Domestic Piety in Fourth Century Rome: A Relic Shrine Beneath the Church of Ss. Giovanni e Paolo." &lt;em&gt;Hortus Artium Medievalium&lt;/em&gt; 15, no. 1. 2009.</text>
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                <text>2009</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="624">
                <text>Photo taken by Ana Munk; permission granted for non-commercial, educative use</text>
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                  <text>Sacred</text>
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                  <text>Joel G. Cerimele</text>
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                <text>Mosaic Depicting Senator Pammachius Making An Offering</text>
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                <text>On the wall facing that of his wife, senator Pammachius was depicted on the left side of the shrine. In another show of private, domestic devotion to the resident saints, the senator was shown making an perfume offering, most likely balsam - the scent of Paradise. After the death of his wife, Pammachius withdrew from "the world," leaving the public world of the Roman aristocracy, and practiced a semi-monastic lifestyle in his home. </text>
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                <text>Ana Munk</text>
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                <text>Ana Munk. "Domestic Piety in Fourth Century Rome: A Relic Shrine Beneath the Church of Ss. Giovanni e Paolo." &lt;em&gt;Hortus Artium Medievalium&lt;/em&gt; 15, no. 1. 2009.</text>
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                <text>2009</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Photo taken by Ana Munk; permission granted for educative, non-commercial use</text>
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                  <text>Joel G. Cerimele</text>
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                <text>Aerial Reconstruction of Ss. Giovanni e Paolo, With Positioning of Staircase Visible</text>
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        <name>Rome</name>
      </tag>
      <tag tagId="26">
        <name>Urbanism</name>
      </tag>
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</itemContainer>
